Artist CV

Education:
2014

BFA Visual Arts, Emily Carr University of Art and Design
 

Exhibitions:
2019
ARTS @ King Street Station, yəhaw̓, Seattle WA
South Puget Sound Community College Gallery, And Now We Know: Indigenous Artists Write the World, Seattle WA
2018
aceartinc., Oneself, and one another, Winnipeg MB
Skwachàys Lodge, The Tribe Has Spoken, Vancouver BC
2017
North Vancouver Community Arts Centre, Pushing Boundaries, North Vancouver BC
Gallery 101, Language of Puncture, Ottawa ON
2016
Banff Art Centre, Settle the Score, Banff AB
 

Curation:
2019
grunt gallery, Together Apart, Queer Indigeneities 2SQ/Indigiqueer Symposium, Vancouver BC
2018
grunt gallery, Spark Talks, Vancouver, BC
Skwachay’s Lodge, The Tribe Has Spoken, Vancouver BC


Public Speaking:
2019
Nanaimo Art Gallery, S.P.I.T. (Athut/Words Bounce Reading Series), Nanaimo BC
Open Space, Kindling Queer Writer’s Fest, Victoria BC
2018

aceartinc, Artist Talk: My Grandma Was More Punk Than I’ll Ever Be, Winnipeg MB
Native Education College, Spark: Fireside Artist Talks, Vancouver BC            
2017

Gallery 101, Language of Puncture: Artist’s Panel, Ottawa ON
North Vancouver Community Arts Centre, Pushing Boundaries: Artist Tour, N. Vancouver BC


Residencies:
2018

Artist in Residence, Klondike Institute of Art and Culture, Dawson City YT
Shakaat Residency, Kwanlin Dün Cultural Centre, Whitehorse YT
2017
Summer Institute Residency, Plug In Institute of Contemporary Art, Winnipeg MB
Skwachay’s Lodge Artist Residency, Vancouver BC
2016
Indigenous Residency, Banff Art Centre
2014
Indigenous Thematic Residency, In Kind: Negotiations, Banff Art Centre


Awards:
2018

R.I.S.E. Fellowship, R.I.S.E.: Radical Indigenous Survivance & Empowerment Collective
2015
Early Career Development Grant, BC Arts Council
2013
Indspire Fine Arts Bursary
 

Bibliography
2019
d3ək'ʷ: An Indigenous Art Zine, produced by yəhaw̓, March 2019
2018
Broken Pencil Mag, Folio: Potlatch Punk, Issue 81, September 2018
Natasha Chaykowski, “Translations”, Canadian Art Magazine, Summer Issue, June 2018